One advantage to living in the largest city in Canada (with a population of about 2.5 million, Toronto is the fifth largest city in North America, but doesn’t even make the top 100 worldwide) is that most bands coming to the country will stop here. Amy and I took advantage of this recently when we got to see They Might Be Giants at the Luminato Festival, a multi-disciplinary celebration of the arts. TMBG have been releasing music aimed at kids over the past few years, and they described this concert as an experiment in family-accessible shows (with a mixture of songs and the set list in alphabetical order). I was too busy enjoying things to concentrate on getting spectacular shots, but there is a comprehensive list on tmbw.net.
August 23, 2011
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December 18, 2010
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Sadly, very little film from my third year at Birmingham survived the scanning process (one reason not to use Max Spielmann again) and the only photographs I have are from other places. On the left is the slightly-under-construction Eden Project, a series of gigantic geodesic domes near St Austell that house plants from various biomes around the world. Below is Leeds 2001, possibly the first music festival I attended and also the first riot I was caught up in. The stage shot gives you an idea of how difficult it is to get anywhere near a performer (in this case, Iggy Pop) and the night shot shows the aftermath of the riot, when festival-goers decided to burn down the portable toilets.
October 9, 2010
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While in South Korea, Amy and I attended no small number of local agricultural festivals (most notably the Goesan Clean Pepper Festival and the Yongin Mallard Festival). We decided to hit up the Manitoba equivalent – the Morden Corn and Apple Festival – to get valuable inter-cultural data and perhaps some free corn. The weather was largely uncooperative, but we did see some extremely dangerous-looking carnival rides, no end of food vendors and a highly advanced automatic corn de-husker. Also, free corn.
August 11, 2010
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Every year, the city of Winnipeg puts on Folklorama – a two-week showcase of all the cultures in the city that can find enough people representing those cultures to put on a show. Amy and I headed out to the Mexican Pavilion last week, and found them offering a tour of Mexico’s regions through the medium of interpretive dance. Unfortunately, we couldn’t understand anything that was said over the PA system and so had to enjoy the dance moves and specially-brewed beer without any background information.
July 26, 2010
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Much like Edinburgh, Winnipeg hosts a Fringe Festival every year to celebrate and disseminate less-traditional theatre and performance acts. Amy and I made it a point to get out to some of the shows, and at the same time discovered delicious $1 bite-sized “cakettes” from Cake-ology, the city’s premier cake bakery. We took a little bit of a risk by going on the opening night, as nothing had been reviewed yet and some shows inevitably turn out to be terrible. However, Dale Beaner and the Turtle Boy (a part-improv comedy about dysfunctional father-son relationships) turned out to be excellent.
Left: A brass band performs Push It on a street corner.
On our second trip, having consulted various reviews, we took in Sparks – a romantic comedy that turned out to be entertaining but not completely enjoyable due to the lead character being a gigantic jerk. And speaking of gigantic jerks, we caught part of a Rob Firenix performance while walking back to the centre of activities. While his show had some interesting elements (the fire whip being the most notable), it wasn’t particularly original and consisted of 5-10 minutes of talking for each minute of actually doing something. He also had the gall to demand the full 60-minute show price ($10) after incessantly mocking and belittling the audience, perhaps forgetting that he was performing on the free stage.
Left: Rob Firenix pretends to burn himself for $$$.
On the last day of the Fringe, we went to pay a visit to the much-anticipated Secondhandpants‘s Science Folktion Musical Adventure. The musicians generally play in a phone booth-sized jukebox which kids can put coins into to hear a live song, but the stage show includes sci-fi story elements (such as time travel and cryptozoology) and extra characters (such as Prof. Malomar Garfield and Rocket John). I spent a good portion of one of the scenes trying to identify the components of the Sellout 2000 machine, and absolutely loved the retro feel of the story and props.
Left: The Secondhandpants. Below, left to right: The Sellout 2000 in action, Space Robot performs; Lif-Tor and the Time Travel Guitar, Rocket John takes the Secondhandpants to the future; The Man From Space meets the Birdman, the Secondhandpants meet Sass Quatch; The Secondhandpants, Rob Firenix, Sass Quatch.
October 18, 2009
The Seoul International Fireworks Festival would have taken place last month, had it not been cancelled due to swine flu. Amy and I therefore braved the tedious journey down to Busan (부산) for the fifth annual Busan Fireworks Festival, which is not “international” and therefore not a flu transmission risk. I was quite eager to have a go at photographing fireworks, and it was with no small sense of acquisitiveness that I raided my local Canon store for a tripod and remote control (Amy and her family had very kindly sponsored my shopping trip as a birthday present), essential equipment to take longer exposures and avoid blur.
We arrived in good time, a fresh breeze blowing off the land out into the bay at Gwangalli (광안리), and checked in to our hotel (the price of which reflected a 225 % markup on normal rates). When making reservations, we had tried to get the price reduced to something more reasonable and were rebuffed with a curt, “We’ve been waiting for this weekend all year” – we were also told that check-in was 7 pm, and had to fight to be allowed in at 3. As we went in and out over the course of the evening, we noted that the room prices were being increased by W10,000 every hour.
As the fireworks began, I was still frantically searching for a place to put my tripod (there were supposedly 1.5 million people crowding the beach) – people would trip over and walk into it for the next hour, despite a clear path on the road in front of us. I located a patch of sky and started taking photographs, only to realise after a few minutes that the manual focus wasn’t set correctly. Once this had been (mostly) remedied, my camera decided to shut down with the non-specific error 99. With some rapid testing, I was able to determine that I could “reboot” the camera by switching it off, changing to an automatic mode, removing the lens, replacing the lens and switching it back on, and that the error occurred when I tried to take a photograph in manual mode when the exposure meter was off-chart below -2 stops. I’m really hoping that this kind of behaviour doesn’t repeat itself, but was able to take a few shots of the end of the display.
June 1, 2009
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Last weekend, a bunch of us took the bus down to Busan to enjoy the almost-summer temperatures and check out the annual sand festival. Quite a few professional sculptors were reported to be there, though we only saw one actually making something, and the range of distractions on the beach itself were quickly exhausted. We then found out that there was a separate sand sculpture competition open to the public, and immediately set to with shovel and hose to pack the loose sand down into a mound that we could carve something out of. There had been some heated discussion earlier as to what we’d make, but we settled on a dragon given that we’d come from Yongin (the Yong, 용/龍, means “dragon”) – it acquired a soju bottle, clouds and a mugunghwa (무궁화; Hibiscus syriacus) somewhere in the construction process. As we toiled away, a steady stream of well-wishers came and admired our handiwork (including a few event photographers) – but we didn’t end up winning any of the prizes.
With no events on Sunday (unless we felt like building another sculpture), we ventured underground to the Busan Aquarium – home to countless sea creatures and host to countless scampering kids. It turned out to be extremely difficult to take reasonable photographs due to a combination of low light, moving fish, dirty glass, curved tanks and harsh reflections, but I managed a few. We were mesmerised by the mudskippers for quite a while, watching them hop about their beach and defend their territories against wanderers, and distressed by the tiny enclosures for the seals and Pacific giant octopus. We had to cut our time in the shark/ray area a little short due to transport timetabling, but left pretty much as enriched as one can be having just visited a bunch of animals.